by Ron WynnStrong mid-'80s material by tenor saxophonist Warne Marsh that for some reason was not issued until he died in 1987. It featured Marsh in a much looser, fiery style than usual, without the exacting, complex lines and lengthy constructions he usually employed. He was backed by three good but not great musicians in pianist Susan Chen, bassist George Mraz, and drummer Akira Tana.