This is one class act. Helene Grimaud generally prefers the heavy-duty German repertoire and has fought hard not to be typecast as a dainty "French" female pianist. Nevertheless she has expressed a certain affection for selected French and non-Germanic works, which is a good thing for us because this is the best performance of the Gershwin concerto we are ever likely to hear. It has style, warmth, and bravura to spare. In fact, everyone concerned treats it like it's the greatest piece of music in the world, and the same positives apply to the Ravel.