The grandest, simplest, and longest-lasting adventure I ve embarked on as a musician has been my quest to expand my repertoire. Ever since early childhood, opening the sheet music to a piece I love but haven t yet played has felt like a magical combination of winning the lottery and setting out on an epic trip. The clean, unused score is a freshly printed map. The texture of the page reminds my hands that I m holding a small, three-dimensional part of the composer s legacy. I m excited to think that each new work brings infinite expressive possibilities, and that it could stay in my repertoire for decades. Those hopes don t always pan out, but in the course of one significant early year in my life, they did twice. At the age of 10, I was given the violin parts to both Vieuxtemps s Concerto No. 4 and Mozart s Concerto No. 5. - Hilary Hahn After her last two albums of completely new compositions, Silfra and In 27 Pieces The Hilary Hahn Encores , Hilary returns with classic-romantic repertoire Two-times Grammy Award-winning violinist Hilary Hahn now combines Mozart s beloved Concerto in A, K 219 with its fiery Turkish episode with the rich, virtuosic romanticism of Vieuxtemps Violin Concerto No. 4. More than 25 years have passed since Hilary first learned both concertos: Ever since early childhood, opening the sheet music to a piece I love but haven t yet played has felt like a magical combination of winning the lottery and setting out on an epic trip. Mozart 5 and Vieuxtemps 4 are part of me. They remind me of the rich legacy of classical music and of the wonderful continuity of tradition, yet they are also timeless. When I play these notes onstage with my colleagues, I don t reflect on the past; I m caught up in the dialogue, looking forward to whatever the next phrase will bring. Hilary Hahn A wonderful interplay of Hilary Hahn and Paavo Järvi with his orchestra The Deutsche Kammerphilharmonie Bremen Review …the most insightful and technically accomplished violinist of our time. --San Francisco Chronicle, 26 Dec 2013 The violinist was in excellent form for Mozart's Fifth Violin Concerto bringing much soulful -- but never sentimental -- phrasing to the slow movement, and daringly segueing into the stamping "Turkish" rondo with a poker face. Her cadenzas, lyrical rather than virtuosic (but full of daunting double-stops) were another wonder . . . Hahn is a force to be reckoned with. --Concert review Mozart 5 at Royal Festival Hall London, The Times (London), 26 Oct 2012 …the ideal Mozart interpreter --South Florida Classical Review, 12 Jan 2014