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Classics Explained: DVORAK - Symphony No. 9, 'From the New World' (Siepmann)

专辑歌曲列表

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Jeremy Siepmann、Slovak Philharmonic Orchestra - A quiet beginning: sorrow, syncopation, and sequence

英语大小：2.43 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Instrumental colour as a prime element: clarinets and bassoons, an outburst by the French horn

英语大小：906 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The opening tune again, with different instrumental colouring: now flutes and oboes

英语大小：508 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The first big surprise: strings, shattering drumbeats, shrieks from flutes, oboes, and clarinets

英语大小：581 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Cellos and basses take us into a new key while flutes and oboes dance in syncopation.

英语大小：502 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Horns, violas, and cellos introduce a new idea, soon to evolve into the main theme.

英语大小：494 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A tiny detail from the opening culminates in a wild drumming that heralds A Major event

英语大小：674 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Introduction complete

英语大小：1.91 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A solo horn introduces the main theme, perkily answered by bassoons and horns.

英语大小：617 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The theme moves to G Major; answering phrase from flutes, oboes, bassoons.

英语大小：523 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Long crescendo, tremolo strings, back to tonic and biggest statement yet of the main theme.

英语大小：615 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Transition to the secondary theme through the use of sequence. Sonata form; satability and flux

英语大小：1.48 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Three-bar groupings and again the use of sequence, spelling out a chord

英语大小：543 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The sequence continues to rise, and the four-bar phrase returns as the standard unit.

英语大小：286 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The first violins start off the next phrase, but the melodic shape is more compact.

英语大小：331 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The violins fall silent; the violas and cellos answer with a new figure

英语大小：155 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - So now we have a two-bar group, made up of statement and answer.

英语大小：113 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The same thing again (though not quite the same)

英语大小：92.7 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Transition complete. The secondary theme arrives, with French horns as 'bagpipes'.

英语大小：946 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The 'bagpipe drone' is taken over by cellos, with their insistently repeated G and D.

英语大小：307 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The tune is taken up by cellos and double-basses, 'shadowed' by the second violins.

英语大小：900 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The violins continue a pattern of steady pairs, and the cellos and basses introduce a new idea.

英语大小：522 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Unexpectedly, we find ourselves back with the secondary theme. A new idea emerges.

英语大小：410 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Again we hear the shortened version of the secondary theme

英语大小：526 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The suspense is heightened as everything slows down

英语大小：407 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - This beautiful flute tune is said to resemble 'Swing Low, Sweet Chariot'.

英语大小：736 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A big crescendo leads to a final statement of the closing theme

英语大小：1.17 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The development section begins with a conversation between cellos, double-bases, and violins.

英语大小：1.06 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The beginning of the closing theme is taken up in turn by the horn, piccolo, and trumpet.

英语大小：282 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Sequential chirping from the oboes based on the 'answering' part of the main theme, now in thE Major

英语大小：283 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Much of the development comes from a diminution of the closing theme from the exposition.

英语大小：304 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A tiny detail becomes A Major ingredient, giving an agitated quality to an originally sunny tune.

英语大小：491 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Through a sequence of keys so quickly that it is hard to keep track of them

英语大小：592 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The main theme from massed cellos and double-basses, topped by two trumpets over tremolo violas

英语大小：1.63 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - After that major climax, we arrive at the threshold of the recapitulation

英语大小：1010 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Dvorak flouts tradition by setting the secondary theme and the closing theme in unexpected keys.

英语大小：1.08 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The tumultuous convulsion of the coda brings the first movement to its epic close.

英语大小：2.89 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Humpty Dumpty: putting the bits back together again

英语大小：327 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - First movement (complete)

纯音乐大小：10.6 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The very opening chords unmistakably herald the arrival of something special.

英语大小：1.01 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The role of instrumentation in setting the scene...

英语大小：1.07 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - ...and in enhancing the quality of one of the most famous tunes in symphonic history.

英语大小：1.37 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The cor anglais is joined by the clarinet, creating a fascinating change in the timbre.

英语大小：1.04 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - For the closing part of the tune, there is another new sonority: cor anglais plus bassoon.

英语大小：390 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The closing bar is repeated by clarinets and bassoons, the horn adding a new touch

英语大小：445 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Back to the start to hear the whole of the story so far, this time without commentary

英语大小：2.21 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A change of scoring: the slow opening chords return, this time played by the winds alone.

英语大小：1.13 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The changes in scoring are just beginning.

英语大小：2.37 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The flutes and oboes introduce a new tune, over hushed tremolo strings.

英语大小：1020 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A memorable combination of continuous, asymmetrical melody with steady, march-like counterpoint.

英语大小：1.35 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Back in that woodland glade, the light and shadows have changed, revealing new shapes and patterns.

英语大小：1.42 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The next section is new and forward-looking, yet also a kind of dream-recollection of a past scene.

英语大小：1.39 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - An abrupt change of mood, much discussion and embellishment, and a hushed note of expectancy

英语大小：1.85 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Subjectivity and expertise; Sourek and Tovey disagree; onwards, into the final section

英语大小：4.79 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Cue to whole movement

英语大小：173 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Second movement (complete)

英语大小：11 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Dvorak, Beethoven, and the Scherzo. Dvorak purposely confuses the listener's expectations.

英语大小：1.75 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Using a little fanfare, Dvorak further builds up expectation before revealing the main theme.

英语大小：337 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - When the theme is revealed, we find that it is not exactly a tune.

英语大小：577 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Two little bursts of rhythm provide the seeds from which much of the movement grows.

英语大小：391 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - It is the second half of the theme that dominates.

英语大小：353 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Back to the beginning to hear the whole of this opening section

英语大小：759 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Without ever being remotely 'academic' or 'intellectual', there is much counterpoint going on here.

英语大小：324 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Dvorak's very Czech love of combining conflicting rhythms, sometimes metres

英语大小：2.32 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A clearly transitional passage, obsessed with the rhythmic tag that both opens and closes the theme

英语大小：476 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Sooner than we may have expected, we seem to have arrived at the Trio section.

英语大小：1.03 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A new kind of tone quality sheds a subtly different light on the theme.

英语大小：560 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The flutes and oboes now chime in with an answering variant of the opening...

英语大小：337 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - ...and the cellos and bassoons take up the original version of the theme.

英语大小：677 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A false alarm: it was not the traditional Trio section at all, but rather part 2 of Scherzo proper

英语大小：819 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Soon, after a very rapid build, the Scherzo proper does reach its final phase.

英语大小：1.12 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The orchestral texture thins dramatically, and we approach what this time really is the Trio section.

英语大小：1.35 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The Trio section is reminiscent more of the 'Old World' than the 'New'.

英语大小：795 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - In the second half of the Trio, a new tune emerges, a kind of Slavonic waltz.

英语大小：945 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The main theme of the Trio returns against a much fuller orchestral background.

英语大小：568 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Then it is all a matter of repeats, until we reach the coda, which ends with an explosive bang.

英语大小：1.16 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Third movement (complete)

纯音乐大小：7.45 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Like the first movement, the fourth begins not with its main theme but with an introduction.

英语大小：736 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The main theme: an imposing march, introduced by trumpets and trombones, with timpani

英语大小：756 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The main theme, part two. A codetta-like passage closes off the march

英语大小：958 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The 'transitional' theme, while outwardly contrasting, is actually a hidden variant of the march.

英语大小：838 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - A point of future obsession

英语大小：262 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The second half of this 'transitional' theme is given to the winds the strings have finished.

英语大小：264 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The 'obsession' takes root, with a ten-fold repetition, before the arrival of the second subject.

英语大小：899 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The hidden traps in sonata-form terminology: 'second main theme' vx. 'second subject'

英语大小：2.31 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The unexpected entry and subsequent ubiquity of 'Three Blind Mice'

英语大小：1.28 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - We meet the mice again, now in the cellos and double-basses, where they persistently refuse to run.

英语大小：577 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - More 'Three Blind Mice' material

英语大小：478 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The mice return to the basement, where the bassoons have joined the cellos and double-basses.

英语大小：301 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Next, they are back with the clarinets who pass them back to the cellos

英语大小：295 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Now they return to the high winds, delicately trilling.

英语大小：239 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Relief, at last: the mice back off, making way for a remainder of the main theme from the trumpets.

英语大小：547 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The mice yield to woodpeckers; the main theme is now doubled in speed

英语大小：1.03 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The triplets of the 'transitional' theme are now handed down through strings

英语大小：373 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - Reminders of past movements begin to fly by, thick and fast, sometimes very fast.

英语大小：439 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - In fact there are three bits of quotation going on here simultaneously.

英语大小：371 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The violas react every time the 'Goin' Home' theme is quoted by the winds.

英语大小：210 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The rhythm of the opening of the 'Goin' Home' theme dominates, transformed by trumpets

英语大小：548 KB
Jeremy Siepmann、Slovak Philharmonic Orchestra - The march theme reappears as a Mendelssohnian fairy; the main theme from the 1st mov. now returns.

英语大小：1.77 MB
Jeremy Siepmann、Slovak Philharmonic Orchestra - We reach an interesting point: have we heard the beginning of the recapitulation, or not?

英语大小：1020 KB

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