这部电影根据著名小说家弗拉基米尔·纳波科夫的同名小说《洛丽塔》改编。1962年，导演史坦利·库布里克将其改编拍成电影《一树梨花压海棠》。1997年，《洛丽塔》第二次被拍成电影。2005年，《洛丽塔》又由美国导演贾木许拍成电影，名为《破碎的花》。 　　 这是1997年版本的电影原声。由电影配乐大师Ennio Morricone作曲。 故事讲述了一个中年男子与未成年少女洛丽塔之间的奸情。在大学里靠教授法文为生的亨勃特年过中年，自从年幼时的初恋女孩死去后，心中总藏着一个温柔而猥亵的梦魇。那些十几岁的青春少女们对他有着不可抗拒魔法般的吸引力。他包藏着这个隐秘的欲望，只是用颤抖的灵魂呼唤着那些肤浅狂燥的精灵们。 Criminally overshadowed by the moral uproar surrounding Adrian Lyne's film remake of Vladimir Nabokov's groundbreaking novel Lolita was Ennio Morricone's remarkable score, a hauntingly beautiful (and beautifully haunting) effort on par with Il Maestro's finest work. The music possesses a darkly dreamlike sensuality that perfectly communicates the erotic obsession at the material's core. Morricone's elegant melodies are daring yet subtle, shaded by melancholy strings and ethereal electronic textures. Milan's official soundtrack release is something of a misfire, however, interrupting Morricone's reverie with period pop hits like Ella Fitzgerald's "Tain't What You Do" and Louis Prima's "Civilization (Bongo, Bongo, Bongo)." Great music, without a doubt, but poorly matched to the intimacy of the instrumental score.