by Scott YanowA busy studio musician who appeared on a countless number of recordings during his productive (and generally lucrative) career, Red Callender is the only player to turn down offers to join both Duke Ellingtons Orchestra and the Louis Armstrong All-Stars. After briefly freelancing in New York, Callender settled in Los Angeles in 1936, debuting on record the next year with Louis Armstrong. In the early 40s, he was in the Lester and Lee Young band, and then formed his own trio. Callender, in the 1940s, recorded with Nat King Cole, Erroll Garner, Charlie Parker, Wardell Gray, and Dexter Gordon, among many others, and can be seen and heard taking a bebop break on bass in the 1946 film New Orleans (which was supposed to depict the citys music scene of 1915). After a period spent leading a trio in Hawaii, Callender returned to Los Angeles, becoming one of the first black musicians to work regularly in the commercial studios. On his 1954 Crown LP Speaks Low, Callender was one of the earliest modern jazz tuba soloists, and he would occasionally double on that instrument in future years. His composition Primrose Lane became a Top Ten hit in 1959 when recorded by Billy Wallace. Keeping busy up until his death, some of the highlights of the bassists later career include recording with Art Tatum (1955-1956), playing with Charles Mingus at the 1964 Monterey Jazz Festival, working with James Newtons avant-garde woodwind quintet (on tuba), and performing as a regular member of the Cheathams Sweet Baby Blues Band. Callenders mid-80s autobiography Unfinished Dream is quite informative and colorful.